When Daniel Silva publishes a new Gabriel Allon novel, I read it as quickly as I can. I get up early to read it, catch a few pages during breaks throughout the day, and stay up late until it’s finished. Some people binge-watch their favorite shows on Netflix. I binge-read spy books.
And so it was with The Other Woman, the latest installment in Silva’s long-running series. In it, Gabriel Allon, chief of Israel’s Mossad, discovers there’s a mole near the top of a Western intelligence agency. Discovering who the mole is and what agency has been compromised before any more damage can be done is the engine that drives the plot forward.
As with all murder and suspense books, my chief criterion of a well-told tale is whether it keeps me turning pages. If a suspense book especially doesn’t grab my attention and force me to keep reading because I absolutely must know what happens next, then it’s not a very good suspense book. By that criterion, The Other Womanis a success.
The book also kept my attention because the plot hinges on Cold War history. I can’t go into detail without spoiling things, so I’ll just say that James Jesus Angleton’s description of counterintelligence as “a wilderness of mirrors” is an apt description of The Other Woman’s plot. Angleton was obsessed that Russia had a mole in the CIA, an obsession grounded in the all-to-real treachery of Kim Philby and the other members of the infamous Cambridge Five, but his obsession also tore relations between Western intelligence agencies apart. That kind of obsession is in play here too.
One of the downsides of page-turners is that you often only see the plot’s weaknesses in hindsight. That was the case here too. In the moment, I thought the Cold War-related plot (again, no details because…spoilers!) worked well. But on reflection, I started to think it was highly implausible. Once you’ve read the book, you’ll know what I’m talking about, and you can draw your own conclusions.
Even with this caveat, The Other Womanis an entertaining read, a trip down Cold War Memory Lane, and a reminder that in the real world, the New Boss of Russia is the same as the Old Boss, and neither is the good guy.
Daniel Silva, The Other Woman (New York: HarperCollins, 2018).
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