When it comes to murder mysteries, Michael Connelly is my go-to author. If he writes it, I read it. So when I received notice that he was beginning a new series, starting with The Late Show, I pre-ordered the book months in advance and read it in a day once it arrived.
The Late Show introduces LAPD Detective Renée Ballard. Her star was rising in the Robbery Homicide Division (RHD) until a conflict with a superior officer got her busted down to working the night shift — the eponymous “late show” — in Hollywood. She used to investigate cases from beginning to end. Now, she rolls up on a night crimes and starts the paperwork, turning over the entire case to the day shift.
But when two victims — one a prostitute who (barely) survives a vicious beating and the other a waitress killed in a mass shooting event — cross her path the same night, she decides it’s time to follow the cases all the way through. It’s a high stakes gamble professionally, and it exposes her to grave dangers personally, but it’s a gamble she willingly takes.
Connelly is releasing his twentieth Harry Bosch novel, Two Kinds of Truth, this October. With Harry having reached retirement age, the Bosch Universe needs a fresh face. Renée Ballard is it, and if The Late Show is any indication, her stories are going to be very, very good.
Michael Connelly, The Late Show (New York: Little, Brown and Company, 2017).
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